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Pinkster
as an African-American creative expression reached its zenith
in Albany during the period between 1790 and 1810. In the
weeks prior to the holiday, temporary shelters woven from
brush and clearly based on African forms were set up on three
sides of a square at the top of "Pinkster Hill" (the present-day site of the New York State Capitol).
During these years Pinkster was always presided
over by King Charles, a figure of great local renown and preeminence
within Albany's African community. Charles, an Angola-born
captive claimed by the Mayor of Albany, was tall, handsome,
an athletic and tireless dancer, and a gifted speaker. As
the Master of Ceremonies, he was responsible for directing
the event and keeping up the spirits of participants during
the long sessions of drumming and dancing that crowned the
celebration. The style of dance and the complex layering of
contrasting rhythms by the drummers and clappers attest to
the survival and retention of West African traditions.
Although Pinkster still attracted African Americans,
Euro-Americans, and Native Americans to its festivities, by
the early 1800s it was viewed by observers as a primarily
African-American holiday. The Dutch had shifted their focus
to newer American holidays like Election Day and Independence
Day.
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Pinkster meant different
things to different people. To Dutch celebrants, Pinkster
was a religious holiday, a break from work, and an opportunity
for visiting. For enslaved people, gathering in rural areas
or at urban markets, the holiday was all this and more. African
men and women enjoyed temporary independence, made money,
and purchased goods. More importantly, Pinkster meant the
opportunity to reunite with family and loved ones and the
chance to preserve, reshape, and express African traditions
despite the restrictions of enslavement.
During the late 1700s and early 1800s, the festival
in Albany was presided over by a King who was himself a captive
- an inversion of the usual social order. The crowning of
the Pinkster King, like the election of generals or governors
during other holidays celebrated by African people elsewhere
in the northeast, invested respected members of the African
community with symbolic power over the whole community and
with distinction within their own community. Celebrations
featuring this sort of inversion of rank can be traced both
to West African and European antecedents. Pinkster is related
in this way to more famous New World festivals such as Mardi
Gras.
Another significance of Pinkster was the
opportunity for enslaved Africans to slyly mock their white
captors through caricatures of European fashions and behavior,
and to voice their own anguish through speeches, storytelling,
and improvised call and response singing.
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